Get Free Ebook , by Cyril Scott
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, by Cyril Scott
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Product details
File Size: 719 KB
Print Length: 228 pages
Publisher: Inner Traditions; 5 edition (January 23, 2013)
Publication Date: January 23, 2013
Sold by: Simon & Schuster Digital Sales Inc.
Language: English
ASIN: B00B9GFI4C
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I consulted this book after it was mentioned by R. Ogilvie Crombie (1899-1975) in a discussion of the spiritual energies and influence of music in "The Occult Diaries of R. Ogilvie Crombie." Since I have a great respect for ROC and am familiar with esoteric references, I thought Scott's book would offer valuable insight. Scott claims access to otherworldly information on the historical origins of musical styles via a clairvoyant friend. The reader is, in fact, lost without a background in metaphysics or basic occult concepts such as auras and devas, and even then is asked to accept on faith such revelations as "the Egyptians always worked to the strains of a song." According to Scott the muses and adepts have inspired and overshadowed certain composers so their music may elicit a corresponding development in humanity, thus the core vibration of the race evolves with every age. He cites, for example, the formality of Handel and the romanticism of Chopin. This 1958 revision by the author retains the Victorian sensibilities and florid language of his original 1933 work, a style as demanding as his theories. Scott, who died in 1970, laments living in an "Age of Destruction" and declares jazz to be the vulgar and orgiastic product of the "Dark Forces." He predicts the music of the next few decades (post-1958) will be harmonious and idealistic, preparing for the second coming of the Christ. By the end of the book, then, even the reader inclined to accept the notion of divine intervention must question Scott's personal interpretations. God forbid the poor man should have lived to hear Rap and Heavy Metal.
This is probably one of the most important books ever written about the subtle but potent and psychological / esoteric influential expressions of music. The substance of its discussion is largely ignored by the conventional music establishment. Yet it conveys so much of insight to the profound esoteric influences of music throughout the recent ages. It might be of value here to suggest that a companion volume to substantiate the predicates presented in this marvelous treatise would be "Talks with Great Composers" by Arthur M. Abell. This kind of discussion about music is largely ignored or tossed aside by the conventional music establishment (out of fear and ignorance), but is of vital and significant importance if we are ever to make progress along cultural lines, for it has relevance and parallels to all the creative arts. I, myself, am a composer, and have always refracted all that I have written to contribute to the essential edicts of this treatise, since first encountering it in the early 1970's. I would encourage all who are interested to study and re-read what is written in this first volume. Another updated second volume will be forthcoming. Cyril Scott was impressed to write this treatise, as he confesses. It was not his own work alone, but inspired from extra sources. This factor alone should give pause for recollection pertaining to just where from inspiration comes and what is required to cause oneself to be receptive to Such. One cannot make a mistake in ordering this book and studying it. I would also advise the BBC to do so. The BBC Music Magazine is wonderful, but often misses the point or mark along this particular line. Order this book and study it. You will never regret it. Study and re-study it! Commit to your understanding a greater depth and realization of the significance of the creative arts, and lobby your political representatives to wake up and come to their senses along this line. The creative arts along any line defines the culture of the Age. Since we are now entering the Age of Aquarius (in 2117) then let us work towards the future with confidence in all that humanity aspires to of Beauty and Goodness. This book helps to light the Way along the lines of understanding music in this regard. There will be other subsequent complementary writings forthcoming along many other lines, all tending towards the same edicts.. Therefore maintain an open mind, a listening ear and a radiant, receptive heart.
I earned two university degrees in music and taught college-level courses in music history. Yet in all my training nothing so revolutionary as the thoughts of Cyril Scott crossed my consciousness. Scott puts a different light on classical composers, their lives and significance in the flow of history. If you desire a challenge to the traditional accredited opinions you have assimilated thus far, this book is for YOU!
Cyril Scott has taken our understanding of music to a new level. It is also an almost concrete example that we are not creators, we merely bring down what has already been thought of in the unlimited, vast mind of God. We either tap into it at the present or have in the past and our memories awaken to it once again. Scott points out, those composers who took the credit and had their ego's expanded from it, suffered ill effects, misuse of energy. Music is a gift from above to awaken humanity as a whole at certain times of our evolution. Music is designed to stimulate us. What do we experience with different kinds of music? Scotts' book reminded me to use music and not let the music run my states, emotional or mental.
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