Download PDF Photography: The Art of Composition
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Photography: The Art of Composition
Download PDF Photography: The Art of Composition
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From the Inside Flap
Photographers can now perfect their ability to perceive and record scenes with this fresh approach to composition. Unlike other composition resources, which are based on graphic design principles, Photography: The Art of Composition uses cognitive science to help photographers develop greater artistic proficiency. Illustrated by more than 250 photographs, this book offers a series of exercises sure to help photographers see and perceive their environment differently. Chapters and exercises cover: Developing your intuitive sense of composition to create better photos - Understanding how the human brain perceives images - Developing your visual acuity by studying art and photography - Learning how to shoot in a wide variety of genres including street documentary, photojournalism, nature, landscape, sports, and still-life photography - Thinking and working like an artist -Choosing the right camera equipment This informative guide will help photographers develop their cognitive skills and take compelling photos.
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About the Author
Bert P. Krages is a photographer and attorney who is the author of two previous photography books, Legal Handbook for Photographers and Heavenly Bodies: The Photographer’s Guide to Astrophotography. He lives in Portland, Oregon.
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Product details
Paperback: 256 pages
Publisher: Allworth; 1 edition (May 1, 2005)
Language: English
ISBN-10: 1581154097
ISBN-13: 978-1581154092
Product Dimensions:
7.8 x 7.8 x 9.2 inches
Shipping Weight: 1 pounds
Average Customer Review:
3.2 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#2,665,001 in Books (See Top 100 in Books)
This book, I understood, was not originally in e-form. However, the kindle format fits the author's style and intent at least as well has the hard copy.The book is not full of color photographs. The writer reccomends shooting in black and white for reasons given by this very good teacher. Consequently, the photos he uses are B&W.This book does what is claims- teaches composition. Regardless if film or digital, I have used both, the techniques tought will help one become a better seeing photograper. This book in Kindle format is highly recommended. It exactly what I was looking for to help my photos.
While I agree with much that Mr Photo says in his recent review, I think the book would be a good one around which to base a set of exercises in a photo course to help new or intermediate photographers hone some skills in seeing and composing. Or a disciplined new photographer could benefit from going through many of them on one's own. But there are several other books that suggest good sets of exercises.There are a lot of words in this book. The early chapters and the prefatory sections for each exercise are incitefully written. The captions to many, but not all of the illustrations in this book are helpful in pointing out strengths and weaknesses in some of the photos, but in general, neither the text nor the photos go far to help one analyze a viewfinder image or a photo to understand its visual structure and perceive the strengths and weaknesses in the image.A signal weakness of this book is its own visual presentation. It is boring to look at and to use. The use of only monochrome illustrations for a book on photo composition is old fashioned, though it may have been a budgetary imperative imposed by the publisher. The poor, low contrast print quality of the photos contributes to the unispiring visual impression.The title leads one to hope that this book is a comprehensive look at composing photographs. Unfortunately, it is a good introduction only to part of the composition problem.
Maybe it was just my copy of the book but the images are not very good (fuzzy and flat) and do not reinforce the text.One particular example stands out. The author talks about removing clutter in a photograph. However, the example is so cluttered and flat, it is difficult to determine what the subject is supposed to be. The text goes on to say "...notice how the flower stands out from the busy background..." . Actually, no, I don't!There are many thought provoking exercises. And maybe the quality of the photos causes you to look at them a little closer than you normally might be inclined to.It isn't a bad book. With a little more attention to the images, it could be a GREAT book.
This is wonderful little workbook for the beginning, but serious photographer, such as myself. The author defines the elements of a compostion and, through exercises, shows how they can be appreciated in order to create an appealing photograph. The introduction, intimidating for the non-artist, leads one to believe that this will be a text on the psychophysiology of visualization. Such is not the case and the remainder of the book is a helpful primer. In addition to composition, the author includes exercises that allow one to estimate, and improve upon, some basic technical skills.
helpful
This was a painful read and I'm minimally better for it.The author breaks the book into several 1-3 page chapters about variousshapes and objects - the goal here being to teach you how to "see" eachobject. The concept is unique, but unfortunately the author starts eachchapter with 3 or 4 paragraphs of absolutely irrelevant, useless historyof each shape or object. It was a waste of ink and space that couldotherwise been used for more (and much better) illustrations. Furthermoreif the author had any geometrical or scientific basis for his lessons, itfailed to show through in the book.
This book reads and feels as though it was written by a rank amateur. The illustrations look like they were taken with a child using a phone camera. I couldn't relate to the book as a teaching aid to improve my photographic composition. The content is scattered.
Countless books have been written about composition. Many of us go by the basic, "seat of our pants" approach of "If it looks good in the viewfinder, shoot it!" However, Bert Krages, the photographer and attorney, has not given us just a book... he has given us a workbook.The Book opens with basic Visual Skills information - primarily, the importance thereof. His section about viewing other people's photographs I found useful in not only looking at my own photography, but at others. Perhaps a valuable skill for readers, not only for judging photo competitions, but to help us compare our own work to the masters of the 20th century.The remaining chapters touch base on the camera as a tool, then it jumps into the exercises. And there is an exercise for darn near everything! I think that is what so fascinated me with this particular book...it is not all concepts, but rather, practical working exercises. The author walks you through everything from points to lines and shapes. Each exercise has subheadings of "About the Genere," "About the Exercise, "Setting Up the Exercise," and "Technical Considerations." In short, everything you could ask for - you just supply the equipment and other materials necessary to make it happen.The closing chapter is probably one of the most important in the book - "Thinking Like an Artist." About 10 pages, primarily of text, Krages explores how photography has influenced the other visual arts, and the acceptance of photography as an art form. It is a section I find myself reading several times a week, to reinforce some of the other material in the book.The only negative I can really say about the book is that the photographs appear to be dark and murky, and a book like this really should have contained color images.
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